En Route to the First Continental Congress

Dublin Core


En Route to the First Continental Congress


Higgins, Eugene


17 1/4 x 22 inches



Still Image Item Type Metadata


After the death of his mother in 1878, Eugene Higgins lived with his father, an Irish stonecutter and builder, in a Saint Louis boardinghouse. After attending public school and a commercial college in Saint Louis, he studied art in Paris at the Académie Julian (1897–1898) and at the École des Beaux-Arts (1899–1904) under Gérôme. During his seven years in France, he copied in the Louvre and made visits to Spain, Holland, and Italy. Upon his return to the United States in 1904, he traveled briefly before establishing his studio in New York, where he remained except for summers spent in Old Lyme, Connecticut. He showed two paintings and one drawing in the Armory Show of 1913 in New York City. Higgins was elected an academician at the National Academy of Design in 1928. In 1957, the year before he died, the Library of Congress purchased 240 of his etchings.
Higgins's role in this exhibition is essentially epilogic, but no less pertinent for that reason. His first impulse to paint allegedly came at the age of twelve when he read an inspiring article on Millet. Although Rembrandt would eventually displace Millet as Higgins's true idol, the subjects that were to occupy the Missourian's art for most of his long life were direct descendants of the beleaguered peasants of mid-nineteenth-century France. Essentially a figure painter, Higgins drew, painted, and etched the unfortunate: flood victims, refugees, dirt farmers, and the shipwrecked. The Black Cloud [Smithsonian American Art Museum, 1968.2], which was awarded the Altman Prize at the National Academy of Design in 1931, in a very real sense is a rear view of Millet's famous Les Errants (Denver Art Museum), both works memorializing the plight of homeless wanderers victimized by financial depressions, drought, and the flight from fields to cities. Nomads [The Phillips Collection] depicts a similar subject at a somewhat safer distance and in spirit is closer to the work of Robert Loftin Newman and Albert Pinkham Ryder.




Etching on paper

Media Details

Etching on paper

Signature Position

Signed, lower right, marked 7, lower left


Mark Greenstein


Higgins, Eugene, “En Route to the First Continental Congress,” Westport Public Schools Digital Collections, accessed February 26, 2024,

Item Relations

This Item dcterms:creator Item: Eugene Higgins
This Item dcterms:relation Item: Staples Art Storage
This Item dcterms:relation Item: Bicentennial Pageant of George Washington